Copyright law, by its nature, is a balancing act evident behind each provision in a country’s copyright statute. Each country approaches this balance from its unique perspective of laws and culture and this balance changes over time with new legislation, changes in technology and court cases interpreting the copyright act. This article examines the balance in Canadian copyright law.
You may also be interested in The Balance in U.S. Copyright Law.
The Balance in Canadian Copyright Law
On the one hand, copyright law provides an exclusive bundle of rights to creators, owners and distributors of copyright-protected materials, and on the other hand, these rights are limited in time and scope.
For example, an author of a book in Canada automatically has copyright protection for their entire life plus 50 years after their death. During this time, the author and their heirs have exclusive rights such as the right to publish the book, translate it, and make an adaptation of it into a screenplay or movie. Fifty years after the author’s death, all rights expire and the work is said to be in the public domain. At that time, anyone may freely use the work, adapt it, et cetera, without obtaining any permissions or paying any royalties.
Scope of Rights
In addition to duration of copyright protection, balance is evident in the scope of rights granted to authors, as many of the exclusive rights of authors are subject to exceptions. In fact, the perspective of librarians and other consumers of copyright-protected materials is often on the “other” side of the balance, the side that ensures consumers have reasonable access, and sometimes access without obtaining permission or paying a fee, to specific copyright-protected materials.
Although inherent in each country’s copyright laws, the balance is also set out in the leading international copyright instrument, the Berne Convention. Under the Berne Convention, authors and owners of copyright-protected works have certain exclusive rights regarding reproduction. All Berne Convention countries must provide these rights for at least 50 years after the author’s death. Many countries such as the U.S. go further and provide the rights for 70 years after the author’s death.
In terms of exceptions for libraries and other consumers of copyright-protected materials, the Berne Convention permits each member country to provide exceptions in certain special cases as long as they meet both requirements of the following test. Exceptions can’t:
- Conflict with normal exploitation of the work
- Unreasonably prejudice the legitimate interests of the author
Exceptions for library preservation, fair use or fair dealing may meet this test.
Each county may interpret these requirements in a different manner, thus resulting in a variety of exceptions in different domestic statutes around the world.
In the Canadian Copyright Act, the fair dealing provision is available to all consumers of copyright-protected materials including librarians. In addition, there are specific exceptions for qualifying libraries, archives and museums for preservation copyright, and for the replacement of lost, damaged or obsolete copies, under specified circumstances.
Educational institutions also have a number of exceptions available to them.
An interesting example of how various countries balance the rights in their copyright statutes is in the area of moral rights. Moral rights protect the reputation and honor of authors of works. These rights allow an author to have their name on their book, painting or other work, and to prevent any modifications to that work that may prejudice the honor and reputation of the author/artist.
In France, moral rights apply to all copyright-protected works, last forever (even beyond the duration of protection of economic copyright rights, such as reproduction), and may not be waived. Moral rights are passed onto heirs upon the death of the author.
In Canada, authors of all works have moral rights. Moral rights have the same duration as economic rights (50 years after the author’s death) and may be waived (that is, the author can agree not to exercise their moral rights).
Learn more about moral rights in Canada in our article Canadian and U.S. Copyright Law.
Each time a new copyright amendment bill is passed, we see newspaper headlines discussing the imbalance proposed in that bill. Headlines vary from copyright owners gaining too many new rights, to consumers being locked out of access to digital works.
Issues such as the following continue to raise the ongoing debate of how to achieve balance in the online, global world between the rights of authors and owners, and the communities who access their works:
- Private copying
- Fair use and exceptions for libraries, archives, museums, and educational institutions
- Digital locks on online content
- Sharing and reproduction of digital content by consumers
Test your knowledge with our Canadian Copyright Law Quiz.
To further enhance your knowledge about both Canadian domestic and global copyright law
and gain practical strategies to help you answer copyright questions in your enterprise
and lower copyright risk, see our Certificate in Canadian Copyright Law.